I hate to pile on with another Michael Jackson tribute but the man deserves it. I’ve often said that I was a fan of his “when he was black”. It’s partially a joke but it is also true. When he was making real soul music, there was no one ever better and for a time, everything he touched was gold. His albums
Off The Wall and
Thriller are simply two of the greatest albums of all time. If you’re wondering about that, I’d like you to turn off your TV, turn off your cell phone, lock yourself in a room and
listen. This is what I did over and over and over again as a kid. Listen to Side One (the first five songs on your CD) of
Off The Wall. That sequence of songs – "Don’t Stop Til You Get Enough", "Rock With You", "Working Day And Night", "Get On The Floor" and "Off The Wall" – might be the greatest side of a record ever. Listen to the drums, the handclaps, the rhythm guitar, the percussion – listen closely to it all. What you’re hearing is called a
groove, and no one executed it better than Michael did in this phase of his career.
Thriller is right up there, too.
After that, it all started going downhill.
Bad was just, well, bad, and I don’t WTF he was doing beyond that. But regardless of that or any of his
batshit crazyness, there’s no denying that he was a genius. What he and Quincy Jones created during those younger years will never be duplicated. For years I had a recurring daydream that I met Michael and he actually solicited my advice about how to regain his career and become relevant again in music circles. I would tell him this:
“Lose all the sampling and drum machines. Write grooves, write songs the way you used to – in your head, not on a freaking computer. Hire real musicians and have them play real acoustic instruments. Make your music organic again, make it come from your soul. Don’t try to keep up with the latest sounds and trends in music. Do it your way. And if you do, you’ll become huge again, I guarantee it.”Alas, he never did. But I’ll always remember the way he used to do it, and baby it grooved.